John
Montague's three major 'orchestrations', The Rough Field (1972),
The Great Cloak (1978) and The Dead Kingdom (1984),
sound the notes of his enduring themes and concerns. They are followed
by his exquisite lyrics, and Collected Poems concludes with
two more recent sequences, Time in Armagh (1993) and the uncollected
Border Sick Call which, with characteristic sweep, both remember
and take stock of a familiar civilization. This arrangement reflects
the pattern of a life's work so far: part self-portrait, it is even
more a 'landscape with figures' — and it has the look of a masterpiece.
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